Why we have “Art” because human need record, I always think maybe that is the most primitive reason let people hold rock draw in the caves. Until photography be invented, people use paintbrush record family, story and history. That is art. Contemporary art use abstract express, sometimes lost space between audience and artist. Art works became not that straightforward.

 

I understand the different between contemporary and classic art, my job is the one kind of new art, but even like that, I still do not want my pieces incomprehensibly, give some space to audience at least, otherwise works are too arrogant. So when I create, focuses on atmosphere. Material is not the first thing I will consider. I prefer put my vigor on narrative, use direct element for communicate. Random finding object and stone is the interesting part in my make process, sometimes that is the moment of action when I found the thing. I have many difference series of my works, every series were different from form and skill. But essence never change. Very important reason is I do not want my creation be recognized by material or form, I hope people can through “feel clue” and elements realize me or themselves with the piece. On the other side, give myself a broad road to keep going, get “style” too early will let me narrow.

 

My theme come from “life” of myself, works more like diary, record the story I readied, the memory I live through, the dream I dreamed, not because my life is special, just the opposite, I am ordinary, that makes me can narrate as objective traveler, people can find resonance and position from my pieces. Nevertheless, make good looking piece is the first thing, always. 

 

 

 

为什么我们会有艺术，最初是为了记录。我一直在想这个问题。我想这应该就是祖先们在岩壁上写写画画的根本理由。直到照相术的出现，人们之前一直用画笔记录家人，故事和历史。这是艺术，如今的当代艺术用抽象的表现方式，是艺术走到今天的必然，但有时我还是觉得它丢失了一些观众与创作者之间的交流，变得不再那么直接了，离开了大众的认知范畴。

 

我能够理解当代艺术和古典艺术间的区别，我的工作也属于这个范畴，但即便如此，我始终不想放弃直白的东西，令人完全费解不是我想要的，如果那样的话未免太骄傲了。所以我创作的时候把重点放在表达气氛，我本身不是材料派的，我会把主要精力用于叙述，用直接的元素寻求交流。随机的捡到的东西和石块是很有意思的，它们就像旅途中的纪念品，有时真的是创作的最初契机，并没有过多的悬而未选的理由，我喜欢那样的纯粹表达欲。

 

我的创作会有很多不一样的系列，造型，技术，材料，随时都会不同，但本质从未改变。这样做的重要原因就是，我不想人们用一些固定住的东西来识别我。我更希望观众如果有一天能用一些“感觉线索”来意识到我的创作或他们自己的共鸣，那是再好不过了。还有就是，我想给我自己一条宽广的道路，过早的卡在“风格”里，我会变得狭隘。

 

我的题材大部分来自生活。作品有时像日记，记录着我读过的故事，我经历的记忆，我做过的梦，并非是我很特别，恰恰相反，因为我普通，我可以叙述的像一个客观的旅人，但并非冷眼旁观，所以人们会从作品中看到态度，找到位置，创生共鸣，至少我希望如此。当然有一点是我最基础的坚持，就是做一件好看的东西。